Citation link: https://nbn-resolving.org/urn:nbn:de:hbz:467-7665
Files in This Item:
File Description SizeFormat
zenz.pdf1.08 MBAdobe PDFThumbnail
View/Open
Dokument Type: Master Thesis
metadata.dc.title: The ‘Gothical’ : on the emergence of a hybrid genre
Authors: Zenz, Svenja Elena 
Institute: Fakultät I Philosophische Fakultät 
Free keywords: genrefication, hybridity, social criticism, contemporary, intermediality, The Rocky Horror Picture Show, REPO! The Genetic Opera, Sweeney Todd The Demon Barber of Fleet Street, denaturalization, contextualization
Dewey Decimal Classification: 780 Musik
GHBS-Clases: KHZM
Issue Date: 2012
Publish Date: 2013
Abstract: 
"The ‘Gothical’ – On the Emergence of a Hybrid Genre" illuminates the contemporary phenomenon of ‘genre hybridity’ – the combination of differing genres. This study takes a close look at the amalgamation of two established genres, Gothic films and Musicals, and explores how their dominant characteristics mix in the new genre ‘Gothical.’ The contrasting features of Gothic films and Musicals clash and intervine, juggle and emphasize each other and result in a creative summit of social criticism.

Within this Master’s thesis, three films are in focus: "The Rocky Horror Picture Show" (1975), "Sweeney Todd – The Demon Barber of Fleet Street" (2007), and "REPO! The Genetic Opera" (2008). An in-depth analysis of selected scenes of these specimens illustrates the cross-fertilization of the Gothic and Musical genre.
URN: urn:nbn:de:hbz:467-7665
URI: https://dspace.ub.uni-siegen.de/handle/ubsi/766
License: https://dspace.ub.uni-siegen.de/static/license.txt
Appears in Collections:Hochschulschriften

This item is protected by original copyright

Show full item record

Page view(s)

725
checked on Dec 26, 2024

Download(s)

343
checked on Dec 26, 2024

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.